IT
A fresh and engaging interpretation of the Permanent Collection, highlighting the thematic and chronological connections between the works on display.
News
Riflessi a Palazzo Cipolla
14 Oct 2026 – 12 Jan 2027 | Pre-sales are now open for RIFLESSI, the new cultural project conceived by Fondazione Roma. From 14 October 2026 to 12 January 2027,...
News
The exhibition “From Vienna to Rome. The Wonders of the Habsburgs from the Kunsthistorisches Museum” concludes with great critical and public success
The exhibition “From Vienna to Rome: The Wonders of the Habsburgs from the Kunsthistorisches Museum” closed on 5 July at Museo del Corso – Polo museale, Palazzo Cipolla
Lectures
Public Program: The Wonders of the Habsburgs
This lecture introduces the central themes of the exhibition From Vienna to Rome. The Wonders of the Habsburgs from the Kunsthistorisches Museum, exploring the history of collecting within the Habsburg dynasty...
Lectures
A series of talks for in-depth exploration “The Wonders of the Habsburgs”
In occasion of the exhibition “From Vienna to Rome. The Wonders of the Habsburgs from the Kunsthistorisches Museum”, the Museo del Corso – Museum Hub presents a series of three lectures...
Lectures
Maratti and the Spain
From the early years of the 1700s, the new Bourbon dynasty had to shape its artistic taste by navigating multiple traditions: the legacy of Velázquez, the growing French influence, and...
Lectures
Painting According to Leonardo
Painting According to Leonardo. Reflections on the Treatise on Painting featured in the exhibition of the Historical Archive of Fondazione Roma
Lectures
Raphael in Rome and the Birth of the Protection of Ancient Heritage
Written at a time when the city’s archaeological heritage was often subject to dispersion and reuse, the letter represents a fundamental document in the history of cultural heritage protection.
Events
Carlo Maratti on Stage: A Performance Celebrating the Life of the Great Seventeenth-Century Master
On stage, a striking and intense monologue blends drama, irony, and live music. Maratti speaks in the first person, retracing his life: from a provincial boy obsessed with drawing, to...